Charles Stepney

Millennium Park, Chicago

— August 18, 2022 —

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Celebrating the life, music, and undersung legacy of the late, the legendary, Chicago born and bred composer, producer & arranger Charles Stepney.

Featuring a Special Performace by:

Musical Direction by: Junius Paul

Arrangements Written by: De’Sean Jones, Jeff Parker, and Junius Paul

Orchestra Conducted by: De’Sean Jones

Videos by: Brian Ashby

Project Management by: Alexandria Wright

Creative Direction by: Eibur Stepney, Charlene Stepney, Chanté Stepney, and Scott McNiece

Rhythm Section:

Makaya McCraven - drums, percussion
Chris Paquette - percussion
Junius Paul - bass guitar, voice
Preyas Roy - vibraphone, percussion
Alexis Lombre - keyboards, piano
Jackson Shepard - guitar, sitar

Singers:

Tiaybe Bledsoe
Brandice Manuel
Meagan McNeal
Greg Artry
Candice Hoyes

Horns:

Rajiv Halim - alto saxophone, flute
De’Sean Jones - tenor saxophone, flute
Marquis Hill - trumpet
Corey Wilkes - trumpet
Royce Harrington-Turner - trombone

Strings:

Zara Zaharieva - violin
Caitlin Edwards - violin
Oana Tatu - viola
Indira Edwards - viola
Dominic Johnson - viola
Ifetayo Ali - cello
Ishmael Ali - cello
Emma Dayhuff - double bass

Dancers:

Gabrielle Manuel
Crystal Freida
Madison Marshall
Tamara Imhauser
Yaritza Medina
Tiara Daja’e Brooks
Nicole Peteraf

Set List

Amen

Composed by Charles Stepney in 1967, “Amen” was Track 1 on Side A of the original Rotary Connection’s self-titled 1967 debut album. That album, Rotary Connection, is regarded as one of the quintessential examples of Stepney’s unparallelled genius as an arranger and conductor.

Shining Star

Arranged and co-produced by Charles Stepney for the 1975 Earth, Wind & Fire album Thats The Way of The World, “Shining Star” reached #1 on both the Billboard Hot 100 and Hot Soul singles charts.

Woman of the Ghetto

“Woman of the Ghetto” is from Marlena Shaw’s 1969 album The Spice of Life, which was produced & arranged by Charles Stepney and Richard Evans. This Rotary Connection 222 version features Stepney’s granddaughter Brandice Manuel on vocals.

Flowers

“Flowers” is the title track from The Emotions’ 1976 album produced by Charles Stepney and Maurice White. The album was released shortly after Stepney passed away, and peaked at #5 on the Billboard Top R&B Albums chart.

Free

The angelic emotional pinnacle from Deniece Williams’ debut album This Is Niecy, “Free” was produced by Charles Stepney and Maurice White. Of Stepney, Deniece Williams said: “For me he was so lovable. He’s probably one of the most incredibly talented arrangers that the music industry ever had. He was a very integral part of my music and the whole production and arrangement of my music and my voice."

PART ONE

Producer & Arranger

PART TWO

Writer & Composer

That’s The Way of the World

“That’s The Way of the World,” a certified classic jam from the Earth, Wind & Fire album of the same name, was originally composed by Charles Stepney, alone, working in the basement of his home on the South Side of Chicago.

Rubie & Charles

“Rubie & Charles” is a song from Step on Step, the forthcoming double LP collection of home recordings by Charles Stepney, which will be released by International Anthem on September 9th. The song was composed by Stepney but he never named it, and it was never recorded by any other artist. The title “Rubie & Charles” was chosen by Stepney’s daughters Eibur, Charlene, and Chanté. Eibur (whose first name is “Rubie” spelled backwards) says that her father used to rely on their mother Rubie for her intuitiveness (when he was faced with a difficult decision, he would often ask her: “Rubie, is God telling you anything?”). Reminiscing about her parents’ connection, Eibur also shares: “When they were dating, my father invited my mother to come hear him play. She said he had the band play the song “Rubie” all night in so many different ways that the audience didn’t notice or at least they didn’t seem to mind.”

Reasons

Another gem from the Earth, Wind & Fire album That’s The Way of the World, the music of “Reasons” was originally composed by Charles Stepney in his basement studio, before he fully realized the song in collaboration with EWF’s Philip Bailey and Maurice White.

PART THREE

Samples & Sync

Memory Band

Composed & arranged by Charles Stepney, the original recording of “Memory Band” appeared on Rotary Connection’s 1967 debut, featuring Stepney’s young daughters Eibur & Charlene on vocals ("laaa, la la la la, la la la laaaaa!"). This song is perhaps best known for its sitar line (performed by Chicago legend Pete Cosey), which was prominently sampled by A Tribe Called Quest on “Bonita Applebum” and by The Fugees on “Killing Me Softly.”

I Am The Black Gold of the Sun

The Stepney penned anthem “I Am the Black Gold of the Sun,” recorded in 1971 by The New Rotary Connection with lyrics by Richard Rudolph, is a compositional expansion of the song “Black Gold,” which Stepney originally wrote and produced for Phil Upchurch’s debut album in 1969. “I Am The Black Gold of the Sun” has been sampled by A Tribe Called Quest, Nyuorican Soul, and many others.

Les Fleurs

“Les Fleurs” is the opening tune from Minnie Riperton’s 1970 debut album Come To My Garden, which is comprised of music almost entirely composed and arranged by Charles Stepney, and is believed by many to be one of Stepney’s master works. “Les Fleurs” has been sampled heavily over the past few decades, notably by Jurassic 5 and Damu the Fudgemunk; and in recent years, the song has been featured in several international ad campaigns and major motion pictures, most notably in the closing credits of Jordan Peele’s 2019 film Us.

About

Chicago-born composer, producer and arranger Charles
Stepney
is known to some…

…for his work with Earth, Wind & Fire, Deniece Williams, and Ramsey Lewis, or for his work with Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many many more. In the decades since his untimely death in 1976, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he supported while he was alive, Stepney is a greatly under-appreciated figure… a genius relegated to the shadows.

Meet The Family

Charles Stepney’s daughters - Eibur, Charlene, and Chanté Stepney - have spent the greater part of their lives engaged in a quest to exalt their father's legacy.

The New Album

Charles Stepney
Step on Step

Releases September 9, 2022

Watch Episode One of “Charles Stepney: Out of the Shadows”

Episode One from the new Wax Poetics documentary series follows Stepney into his basement studio on the South Side Chicago, where he workshopped, recorded, and created much of the music that would become gold & platinum selling hits, and even more music that would never see the light of day. It features interviews and testimonies from members of Earth, Wind & Fire, Terry Callier, the Dells, and Stepney’s daughters Eibur, Charlene, and Chanté (aka the Stepney Sisters).

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